\u65bd\u653f\u5728\u96c6\u4e2d\u521b\u4f5c\u4e2a\u4eba\u4f5c\u54c1\u7684\u540c\u65f6\uff0c\u4e5f\u548c\u5176\u9886\u57df\u5185\u7684\u4f18\u79c0\u827a\u672f\u5bb6\u8fdb\u884c\u5408\u4f5c\u30022013\u5e74\u4ed6\u4e0e\u80fd\u706b\u3001\u738b\u5fd7\u9e4f\u3001\u7fc1\u5dcd\u5171\u540c\u6210\u7acb\u5a92\u4f53\u827a\u672f\u5c0f\u7ec4RMBit\uff08\u4eba\u6c11\u6bd4\u7279\uff09\uff0c\u7ed3\u5408\u5f53\u4e0b\u7684\u793e\u4ea4\u5a92\u4f53\u73b0\u8c61\u8fdb\u884c\u521b\u4f5c\u3002\u4ed6\u548c\u80fd\u706b\u4e5f\u662fAudio-Visual\u6f14\u51fa\u56e2\u4f53OSC(Open Super Control\uff09\u7684\u6210\u5458\u3002\u5176\u4e2a\u4eba\u4e0e\u5408\u4f5c\u4f5c\u54c1\u4e5f\u66fe\u591a\u6b21\u51fa\u73b0\u5728\u56fd\u5185\u5916\u91cd\u8981\u7684\u7f8e\u672f\u9986\u3001\u827a\u672f\u673a\u6784\u3001\u5a92\u4f53\u827a\u672f\u8282\u4e2d\uff0c\u5305\u62ecSound Art China\uff08\u4e2d\u56fd\u58f0\u97f3\u827a\u672f\u5927\u5c55\uff09\u3001Ars Electronica\uff08\u5965\u5730\u5229\u7535\u5b50\u827a\u672f\u8282\uff09\u3001Institute of Contemporary Arts\uff08\u4f26\u6566\u5f53\u4ee3\u827a\u672f\u4e2d\u5fc3\uff09\u3001\u90fd\u7075Castello di Rivara\u7f8e\u672f\u9986\u7b49\u3002<\/p>\n<\/div>\n\n\n\n
Shi Zheng, born in 1990, graduated from the School of Intermedia Art at the China Academy of Art in 2014, and received his MFA from the School of the Art Institute of Chicago in 2019. He currently lives and works in Shanghai and New York.<\/p>\n\n\n\n
While focusing on his individual artistic practice, Shi Zheng also collaborates with outstanding artists in his field. In 2013, he co-founded the media art collective RMBit with Neng Huo, Wang Zhipeng, and Weng Wei, creating works in response to contemporary social media phenomena. He and Neng Huo are also members of the audio-visual performance group OSC (Open Super Control).<\/p>\n\n\n\n
His solo and collaborative works have been presented on numerous occasions at major museums, art institutions, and media art festivals in China and abroad, including Sound Art China, Ars Electronica in Austria, the Institute of Contemporary Arts in London, and Castello di Rivara in Turin.<\/p>\n\n\n\n
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![\"\"](\"https:\/\/muchart.org\/wp-content\/uploads\/2026\/04\/\u5716\u7247_2026-04-28_174709_117.jpg\")
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Shi Zheng\uff5c\u65bd\u653f
Variable Size
Video
2019<\/figcaption><\/figure>\n<\/div>\n\n\n\n
![\"\"](\"https:\/\/muchart.org\/wp-content\/uploads\/2026\/04\/\u5716\u7247_2026-04-28_174739_431-1024x576.jpg\")
<\/figure>\n<\/div>\n<\/div>\n\n\n\n\u65bd\u653f\u7684\u827a\u672f\u4f5c\u54c1\u5173\u6ce8\u7684\u5e76\u4e0d\u662f\u56fe\u50cf\u548c\u5a92\u4f53\u7684\u5faa\u73af\uff0c\u800c\u662f\u5173\u6ce8\u5b83\u4eec\u662f\u5982\u4f55\u5236\u4f5c\u7684\u3002\u6216\uff0c\u5b83\u4eec\u662f\u5982\u4f55\u6545\u610f\u8bef\u5bfc\u5927\u4f17\u7684\u3002\u5c31\u50cf\u662f\u5760\u5165\u4e00\u4e2a\u865a\u62df\u53c8\u771f\u5b9e\u7684\u7a7a\u95f4\uff0c\u6240\u770b\u5e76\u975e\u771f\u5b9e\uff0c\u6bcf\u4e2a\u4eba\u7684\u5fc3\u4e2d\u90fd\u6709\u81ea\u5df1\u7684\u6807\u51c6\u4e0e\u5b9a\u4e49\uff0c\u6ca1\u6709\u5bf9\u9519\uff0c\u4e00\u5207\u5168\u51ed\u60f3\u8c61\uff0c\u6bd4\u5982\u8fd9\u4e2a\u6c89\u6d78\u5f0f\u58f0\u97f3\u548c\u5f71\u50cf\u88c5\u7f6e\u7a7a\u95f4\u300avisioning\/versioning I\u300b<\/strong>\u3002 <\/p>\n<\/div>\n\n\n\n Shi Zheng\u2019s artistic practice is concerned not so much with the circulation of images and media, but with how they are produced \u2014 or, perhaps, how they are deliberately used to mislead the public. It is like falling into a space that is at once virtual and real: what we see is not necessarily truth. Everyone carries their own standards and definitions; there is no absolute right or wrong, and everything is left to imagination. Such is the case with his immersive sound and moving-image installation, visioning\/versioning I<\/em>.<\/p>\n\n\n\n In this work, the artist constructs a fictional underwater landscape that continuously sinks. Within a slow sense of \u201cvertical time,\u201d he uses granular sound and imagery to create a pure perceptual experience. Viewers inside the space feel as though they have descended to the seabed, rising and falling with free-flowing waves, sensing subtle changes in every passing moment.<\/p>\n\n\n\n For artists, creativity and concept are among the most crucial elements in the making of a work. When an artist dares to overturn imagination and articulate a clear position and attitude, they deserve to be remembered. Art can take many forms \u2014 digital technology, moving image, architecture, audio-visual colour, and more \u2014 yet what remains constant is a restless heart willing to disturb and be disturbed.<\/p>\n<\/div>\n<\/div>\n\n\n\n \u201c\u5173\u4e8e\u300aNimbus\u300b\u8fd9\u4ef6\u4f5c\u54c1\u7684\u6784\u601d\u5927\u6982\u662f\u4ece2015\u5e74\u521d\u7684\u5e73\u9762\u4f5c\u54c1\u300anoplanet\u300b\u5f00\u59cb\u7684\u3002\u4f46\u662f\uff0c\u6211\u53d1\u73b0\u5145\u6ee1\u7740\u6d41\u52a8\u611f\u7684\u9759\u6b62\u753b\u9762\u4f7f\u6211\u96be\u4ee5\u5f97\u5230\u6ee1\u8db3\uff0c\u4e8e\u662f\u6211\u51b3\u5b9a\u4ece\u4e2d\u7740\u624b\u8fdb\u884c\u65b0\u7684\u521b\u4f5c\uff0c\u8fd9\u6837\u5c31\u6709\u300aNimbus\u300b\u3002\u201d<\/em> \u201cThe idea for Nimbus<\/em> probably began with my two-dimensional work noplanet<\/em> in early 2015. However, I found that a still image filled with a sense of movement was no longer enough to satisfy me, so I decided to use it as a starting point for a new work. That is how Nimbus<\/em> came into being.\u201d<\/p>\n\n\n\n \u2014 Zheng Shi<\/p>\n<\/div>\n<\/div>\n\n\n\n \u58f0\u97f3\u5f71\u50cf\u7684\u88c5\u7f6e\uff0c\u662f\u901a\u8fc7\u566a\u97f3\u7b97\u6cd5\u751f\u6210\u7684\u4e00\u7cfb\u5217\u6570\u5b57\u56fe\u5f62\uff0c\u800c\u300aNimbus\u300b\u5e76\u4e0d\u50cf\u65bd\u653f\u4e4b\u524d\u7684\u4f5c\u54c1\u90a3\u6837\u4ee5\u81f3\u9ad8\u7684\u89c2\u70b9\u53bb\u521b\u9020\u865a\u62df\u7a7a\u95f4\u7684\u666f\u8c61\uff0c\u800c\u662f\u901a\u8fc7\u5c4f\u5e55\u7a7a\u95f4\u5185\u6784\u5efa\u865a\u62df\u96e8\u4e91\u72b6\u6001\uff0c\u4ece\u800c\u66f4\u52a0\u5b8c\u7f8e\u7684\u6355\u6349\u6c14\u6001\u6f02\u6d6e\u7269\u6d41\u52a8\u53d8\u5316\u7684\u7ec6\u8282\u3002 This audio-visual installation is composed of a series of digital forms generated through noise algorithms. Unlike Shi Zheng\u2019s earlier works, Nimbus<\/em> does not construct a virtual spatial scene from an elevated or all-encompassing perspective. Instead, it builds a state of virtual rain clouds within the screen space, more precisely capturing the subtle details in the movement and transformation of gaseous, floating matter.<\/p>\n\n\n\n The light of the screen is projected onto these generated image configurations as a kind of metaphor. Prolonged viewing can even evoke a sense of immersive fear. Yet these images cannot be defined as traditional \u201cphotographs.\u201d Rather, they are visual images captured by a virtual camera within the computer and translated into reality\u2014allowing us, in the end, to witness a virtual landscape shared by both the computer and the human eye.<\/p>\n<\/div>\n<\/div>\n\n\n\n <\/p>\n\n\n\n \u8fd9\u662f\u4e00\u6bb5\u72ed\u957f\u7684\u4e09\u89d2\u5f62\u5f71\u50cf\uff0c\u5982\u5f57\u5c3e\u822c\u4ece\u5927\u5730\u6df1\u5904\u5230\u6765\u3002\u5f71\u50cf\u4ee524\u4e2a\u5e0c\u814a\u5b57\u6bcd\u7684\u542b\u4e49\u4f5c\u4e3a\u53d9\u4e8b\u7ed3\u6784\uff0c\u4ece\u4e00\u4e2a\u975e\u4eba\u89c6\u89d2\uff0c\u89c2\u5bdf\u7740\u4e00\u9897\u672a\u77e5\u884c\u661f\u7684\u8fd0\u52a8\u3002 This is a long, narrow triangular moving image, arriving from the depths of the earth like the tail of a comet. Structured around the meanings of the 24 Greek letters, the work adopts a non-human perspective to observe the movement of an unknown planet.<\/p>\n\n\n\n On this planet, natural disasters such as earthquakes, volcanic eruptions, and tsunamis appear merely as actions in progress, all of which will eventually vanish at the end of time. The viewer can never obtain the \u201ccorrect\u201d vantage point from which to watch the work: every angle is inevitably marked by a strong sense of perspective, thereby opening onto an infinite point of view.<\/p>\n<\/div>\n<\/div>\n\n\n\n <\/p>\n\n\n\n \u4f5c\u54c1\u300aEmbers\u300b\u662f\u901a\u8fc7\u4e00\u4e2a\u5927\u89c4\u6a21\u7684\u7a7a\u95f4\u5f71\u50cf\u6784\u9020\u51fa\u5199\u5b9e\u7684\u4e09\u7ef4\u666f\u89c2\u5b9e\u666f\uff0c\u4e5f\u88ab\u79f0\u4e3a\u201c\u81ea\u5b9a\u4e49\u4e16\u754c\u201d\u3002\u8fd9\u4e9b\u573a\u666f\u5236\u9020\uff0c\u63cf\u7ed8\u4e86\u4e00\u4e2a\u6f5c\u5728\u5d07\u9ad8\u53c8\u5371\u9669\u7684\u4e16\u754c\uff0c\u4e00\u4e2a\u4f3c\u662f\u800c\u975e\u7684\u771f\u5b9e\u4e16\u754c\u3002 The work Embers<\/em> constructs a realistic three-dimensional landscape through large-scale spatial imagery, forming what may also be described as a \u201ccustom world.\u201d These manufactured scenes depict a world that is at once potentially sublime and dangerous \u2014 a reality that feels almost real, yet not quite.<\/p>\n\n\n\n As viewers encounter the work, its vision beyond reality brings with it an inexpressible sense of estrangement, allowing moments of sudden clarity and detachment even within a deeply immersive experience.<\/p>\n\n\n\n The work visioning \/ versioning I<\/em> is currently on view in The Silhouette of the Sea<\/em>, a multimedia art exhibition, and was specially created by Shi Zheng for this exhibition. Beyond this immersive audio-visual installation, the exhibition also features many other multimedia works by artists from China and abroad. If you are curious about emerging artistic forms, if you have your own understanding of the oceanic world, or if you have thoughts or suggestions regarding the future development and protection of the sea, we warmly look forward to welcoming you to the exhibition.<\/p>\n<\/div>\n<\/div>\n\n\n\n <\/p>\n","protected":false},"excerpt":{"rendered":" Zheng Shi \uff5c\u65bd\u653f \u65bd\u653f\u5728\u96c6\u4e2d\u521b\u4f5c\u4e2a\u4eba\u4f5c\u54c1\u7684\u540c\u65f6\uff0c\u4e5f\u548c\u5176\u9886\u57df\u5185\u7684\u4f18\u79c0\u827a\u672f\u5bb6\u8fdb\u884c\u5408\u4f5c\u30022013\u5e74\u4ed6\u4e0e\u80fd\u706b\u3001\u738b\u5fd7\u9e4f\u3001\u7fc1\u5dcd\u5171\u540c\u6210\u7acb\u5a92\u4f53\u827a\u672f\u5c0f\u7ec4RMBit\uff08\u4eba\u6c11\u6bd4\u7279\uff09\uff0c\u7ed3\u5408\u5f53\u4e0b\u7684\u793e\u4ea4\u5a92\u4f53\u73b0\u8c61\u8fdb\u884c\u521b\u4f5c\u3002\u4ed6\u548c\u80fd\u706b\u4e5f\u662fAudio-Visual\u6f14\u51fa\u56e2\u4f53OSC(Open Super Control\uff09\u7684\u6210\u5458\u3002\u5176\u4e2a\u4eba\u4e0e\u5408\u4f5c\u4f5c\u54c1\u4e5f\u66fe\u591a\u6b21\u51fa\u73b0\u5728\u56fd\u5185\u5916\u91cd\u8981\u7684\u7f8e\u672f\u9986\u3001\u827a\u672f\u673a\u6784\u3001\u5a92\u4f53\u827a\u672f\u8282\u4e2d\uff0c\u5305\u62ecSound Art China\uff08\u4e2d\u56fd\u58f0\u97f3\u827a\u672f\u5927\u5c55\uff09\u3001Ars Electronica\uff08\u5965\u5730\u5229\u7535\u5b50\u827a\u672f\u8282\uff09\u3001Institute of Contemporary Arts\uff08\u4f26\u6566\u5f53\u4ee3\u827a\u672f\u4e2d\u5fc3\uff09\u3001\u90fd\u7075Castello di Rivara\u7f8e\u672f\u9986\u7b49\u3002 Shi Zheng, born in 1990, graduated from the School of Intermedia Art at the China Academy of Art in 2014, and received his MFA from the School of the Art Institute of Chicago in 2019. He currently lives and works in […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-661","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/muchart.org\/index.php?rest_route=\/wp\/v2\/pages\/661","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/muchart.org\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/muchart.org\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/muchart.org\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/muchart.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=661"}],"version-history":[{"count":3,"href":"https:\/\/muchart.org\/index.php?rest_route=\/wp\/v2\/pages\/661\/revisions"}],"predecessor-version":[{"id":844,"href":"https:\/\/muchart.org\/index.php?rest_route=\/wp\/v2\/pages\/661\/revisions\/844"}],"wp:attachment":[{"href":"https:\/\/muchart.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=661"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\u827a\u672f\u5bb6\u865a\u6784\u4e86\u4e00\u4e2a\u4e0d\u65ad\u4e0b\u6c89\u7684\u6d77\u5e95\u666f\u89c2\uff0c\u8bd5\u56fe\u5728\u7f13\u6162\u7684\u201c\u5782\u76f4\u65f6\u95f4\u201d\u4e2d\uff0c\u901a\u8fc7\u9897\u7c92\u5316\u7684\u58f0\u97f3\u4e0e\u5f71\u50cf\u521b\u9020\u51fa\u4e00\u79cd\u7eaf\u7cb9\u7684\u611f\u77e5\u4f53\u9a8c\u3002\u4eba\u4eec\u8eab\u5904\u5176\u4e2d\uff0c\u4eff\u4f5b\u81ea\u8eab\u5df2\u6c89\u5165\u6d77\u5e95\uff0c\u968f\u81ea\u7531\u6ce2\u6d6a\u8d77\u4f0f\uff0c\u611f\u53d7\u70b9\u6ef4\u95f4\u7684\u7ec6\u5fae\u53d8\u5316\u3002
\u5bf9\u4e8e\u827a\u672f\u5bb6\u4eec\u6765\u8bf4\uff0c\u521b\u610f\u4e0e\u6982\u5ff5\u662f\u4ea7\u51fa\u4f5c\u54c1\u6700\u5173\u952e\u7684\u7ec4\u6210\u56e0\u7d20\uff0c\u5f53\u4e00\u4f4d\u827a\u672f\u5bb6\u6562\u4e8e\u98a0\u8986\u60f3\u8c61\u8868\u660e\u81ea\u6211\u7acb\u573a\u4e0e\u6001\u5ea6\u65f6\uff0c\u4ed6\u5c31\u5e94\u8be5\u503c\u5f97\u88ab\u94ed\u8bb0\u3002\u827a\u672f\u53ef\u4ee5\u7528\u5404\u79cd\u5f62\u5f0f\u5448\u73b0\u3001\u8b6c\u5982\u6570\u5b57\u6280\u672f\u3001\u5f71\u97f3\u3001\u5efa\u7b51\u6216\u662f\u89c6\u542c\u8272\u5f69\u7b49\u7b49\uff0c\u4f46\u4e0d\u53d8\u7684\u662f\u62e5\u6709\u4e00\u9897\u6562\u4e8e\u8e81\u52a8\u7684\u5fc3\u3002
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Shi Zheng\uff5c\u65bd\u653f
Variable Size
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2019<\/figcaption><\/figure>\n\n\n\n
\u2014\u2014\u65bd\u653f<\/p>\n<\/div>\n\n\n\n
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Shi Zheng\uff5c\u65bd\u653f
Variable Size
Video
2019<\/figcaption><\/figure>\n<\/div>\n\n\n\n![\"\"](\"https:\/\/muchart.org\/wp-content\/uploads\/2026\/04\/\u5716\u7247_2026-04-28_174751_399-edited.jpg\")
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\u5c4f\u5e55\u706f\u5149\u4f5c\u4e3a\u4e00\u79cd\u9690\u55bb\u88ab\u6295\u5c04\u5230\u751f\u6210\u7684\u56fe\u7247\u914d\u7f6e\u4e0a\uff0c\u957f\u65f6\u95f4\u89c2\u770b\u751a\u81f3\u662f\u4f1a\u8ba9\u4eba\u4eec\u4ea7\u751f\u4e00\u79cd\u8eab\u4e34\u5176\u5883\u7684\u6050\u60e7\u611f\uff0c\u4f46\u5b83\u4eec\u5e76\u4e0d\u80fd\u5b9a\u4e49\u4e3a\u4f20\u7edf\u7684\u201c\u7167\u7247\u201d\uff0c\u800c\u662f\u7531\u8ba1\u7b97\u673a\u865a\u62df\u6444\u50cf\u673a\u62cd\u6444\u7684\u89c6\u89c9\u56fe\u50cf\u88ab\u8f6c\u5316\u4e3a\u73b0\u5b9e\uff0c\u800c\u6211\u4eec\u6700\u7ec8\u80fd\u591f\u770b\u5230\u8ba1\u7b97\u673a\u4e0e\u4eba\u773c\u5171\u4eab\u7684\u865a\u62df\u666f\u89c2\u3002<\/p>\n<\/div>\n\n\n\n![\"\"](\"https:\/\/muchart.org\/wp-content\/uploads\/2026\/04\/\u5716\u7247_2026-04-28_174756_261.jpg\")
Shi Zheng\uff5c\u65bd\u653f
Variable Size
Video
2019<\/figcaption><\/figure>\n<\/div>\n\n\n\n![\"\"](\"https:\/\/muchart.org\/wp-content\/uploads\/2026\/04\/\u5716\u7247_2026-04-28_174759_568.jpg\")
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