WenHui Lei
李雯慧
李雯慧从家乡出发，从日常材料出发，也从无声的社会结构出发。
她长期关注地方社区与社会边缘群体，以回收布料、铁丝、蜡与旧物进行创作：那些“被遗忘、被替代、被拆解”的材料，被她重新拼接成新的结构。
这是一种关于记忆的修补，也是一种关于现实的抗争。
当熟悉的街区消失、传统被重写、旧物失去意义，她用纤细却顽强的方式，将它们重新缝回世界。
她的作品告诉我们：现代化的速度可以摧毁空间，但无法摧毁记忆。
Wenhui Lei has long focused on local communities and socially marginalised groups, working with reclaimed fabrics, wire, wax, and discarded objects. Materials that are “forgotten, replaced, or dismantled” are reassembled by her into new structures.
This is both a repair of memory and a form of resistance against reality.
As familiar neighbourhoods disappear, traditions are rewritten, and objects lose their meaning, she uses a delicate yet resilient approach to stitch them back into the world.
Her work reminds us that while the speed of modernisation can dismantle physical space, it cannot erase memory.
