YIZHI CHEN | 陈一致

陈一致的作品以“场域-记忆”的心理错位为核心。他将废弃工厂的残破景象转化为一种异化的视觉景观，所有元素源于现实，却在镜头中剥离出一种疏离而荒诞的底色。
这段影像并非单纯的实地记录，而是在描绘“时空的坍塌与重组”。叙事始于主角在废墟中发现的一面粉色亮面镜子，以此为契机，她开启了一场穿梭于碎片化时空的漂流。艺术家的意识交织着场域的过去与当下，通过实景拍摄与 AI 生成技术的缝合，将内在的情感景观投射到物理空间之上，构建出一个邀请观者步入的异次元。
在《静默的钟摆》中，作品呈现出一种虚实共生的裂痕。同步展出的装置通过正负空间的转换，开启了镜内与镜外的空间对话。悬挂的镜面如钟摆般晃动，每一度摆动都闪现出异空间的景象，它不仅是叙事的引子，更像是一个静默的隐喻，提示着链接不同时空的虫洞正隐秘地存在于裂缝之中。

This video work is inspired by the artist’s sense of dislocation and alienation while wandering around the site of an abandoned factory. All visual elements are drawn directly from the actual scene. The narrative begins when the protagonist discovers a glossy pink mirror in factory. From that moment, she embarks on a drifting journey through fragmented time and space. Her consciousness weaves together the past and present of the site. Through a combination of live-action footage and AI-generated technology, the artist projects an inner emotional landscape onto the physical space, constructing an alternate dimension that invites viewers to step inside. The accompanying installation creates positive and negative spaces, which present a spatial dialogue between the mirror’s interior and exterior. As the mirror swings, different scenes from the alternate space emerge. Suspended like a pendulum, the mirror becomes a silent reminder of the wormholes that link time and space.